Monday, April 5, 2010

#82: ID Subject of Painting


No points for IDing Artist.

3 comments:

  1. it is the "Massacre in Korea" by Pablo Picasso.

    The Korean War had begun six months earlier. The painting was Picasso's protest at the American invasion. Shown at the May Salon in Paris, it took sides in a war of ideologies. And its formal idiom was an unambiguous, partisan one, using handed-down simple symbols and only sparingly heightening the figural naturalism with cautious touches of the dissociative. We see the good and evil sides in straightforward confrontation on an extremely broad format. Four naked women, rigid with fear, and their four similarly naked children (the nakedness symbolizing de-fencelessness), are being aimed at by six soldiers armed to the teeth (symbolizing far superior power). The soldiers' postures seem at once mechanical and archaic; they are ancient warriors transmuted into death-bringing robots. A green, sweeping, simplified landscape featuring only a single ruined house is the backdrop to the composition.

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  2. massacre in korea

    picasso protesting invasion of americans

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  3. Picasso's depiction of the Holocaust?
    or some massacre in the Spanish Civil War.

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